For an artist who has famously mutated so much during his career, it must have been particularly difficult to pick a starting point from which to spiral out. The sound that would later gain him fame is present in a slightly less polished form here, and his knack for driving songs home with huge melodies and choruses hadn't yet developed fully, but regardless, it's a good record.
The only song from the album that's stuck around is the title track, often erroneously referred to as "Ground Control to Major Tom." That's sort of a shame, since there's a good amount of compelling material here, from the back porch hoedown of "Unwashed and Somewhat Slightly Dazed" to the Spanish-flavored guitar that weaves in and out of "God Knows I'm Good." "Wild Boy from Freecloud" sounds like the show-stopper for some unwritten musical, complete with epic strings and harp, and the off-kilter instrumentation of "Memory of a Free Festival" makes the song sound startlingly modern. I could see some indie band that I don't care about making a whole career around the sound of that track. That said, the inclusion of an aborted take for "(Don't Sit Down)" is useless, and the couplet "Planet Earth is blue/And there's nothing I can do" makes me wince.
So while Space Oddity doesn't have much cohesion in style or many tracks that stand out to the non-historically-minded, it's pretty enjoyable, and surprisingly well put together for being so early in his career. This won't be one I pull off my shelf the most, but I think it's going to have the most for me to discover over time. We'll see if I give it more of a chance.
"Space Oddity" live

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